The article deals with the role and significance of value-semantic reflection concerning teachers' professional positions. The purpose of study to reveal the strategy for the implementation of upbringing technologies for solving the problems of spiritual and moral formation of subjects of education. The complex picture of systemic ideas about a person, the nonlinearity of his formation leads to attempts to simplify technological solutions, which contradicts the essence of the individual's spiritual and moral upbringing. The scientific novelty lies in the description (...) of the function of value-semantic reflection in relation to the content of the teacher's professional position. As a result, the author proposes an algorithm for the application of educational technologies based on the systemic value-semantic reflection of the teacher's professional position. (shrink)

The subject of the study is the color meaning in the film of the famous Chinese director Zhang Yimou "Hero", the conceptual understanding of color as the main semantic element of the artistic solution. The object of research is the techniques of visual solutions in cinema. The perception of color in the culture of different peoples differs in certain nuances and depends on many factors, including national traditions and historically established stereotypes. Films by Chinese, Korean, and Japanese filmmakers are interesting (...) from the point of view of color solutions, as they differ in artistic originality and often offer the Russian audience an extraordinary semantic solution of the idea not only at the level of comprehension of the content, but also at the level of a specific color palette. The author similarly examines the color symbolism of Zhang Yimou's film "Hero". The conceptual content of the visual-figurative series, the originality of the coloristic solution of the film is comprehended. The scientific novelty of the article lies in the study of the color symbolism of Zhang Yimou's film "Hero" in the aspect of the correlation between the perception of the coloristic solution of the visual series and the conceptual content of the film. The author comes to the conclusion that despite the ambivalence of perception of a particular color in visual art, the coloristic solution is predetermined by the conceptual content of each episode, so color becomes the leading semantic concept of Zhang Yimou's film "Hero". (shrink)

The subject of the study is Bernardo Bertolucci's film "The Last Emperor", in particular, the coloristic of the film and the psychology of the image of the main character, which is largely revealed through the color palette and individual artistic details. The object of research is the language of cinematography, cinematographic artistic techniques. Despite the sometimes shocking images and plots, Bertolucci's films were highly appreciated by the international community and domestic film critics due to their artistic solution and topical issues (...) affecting the problems of class struggle and anti-fascist themes. The author of the article examines the image of the main character of the film, Aisingero Pu Yi, the last emperor of China and Manchukuo. The film is based on real historical events taking place in the first half of the 20th century, so the dramatic collisions of the character are not perceived by the viewer as some kind of abstract problem. Against the backdrop of the complex historical changes that China has faced, many questions of the formation and self-determination of the individual are being raised. The image of Emperor Pu Yi is revealed gradually through a comparison of two storylines and the color scheme of the film, since it is the color palette that helps to subtly and meaningfully convey the psychological content of the character. The main research methods are analytical and comparative-historical. The composition of the film and the dynamics of the change in the color palette of individual episodes are analyzed, which makes it possible to trace the evolution of the image. The author comes to the conclusion that it was the coloristic solution of the film that allowed the creators to convey the national color and historical atmosphere of China of a certain historical period and show a vivid image of the protagonist on the screen. (shrink)

The subject of the study is color symbolism in F. Fitzgerald’s novel «The Great Gatsby» in the aspect of an ambivalent understanding of the conceptual solution in the use of a certain color in creating images of characters, in describing the setting and semantic content of the ideological content of the work and its screen interpretations. The object of study is color as a meaning-forming concept in literature and cinema, the symbolism of color. The work of Francis S. Fitzgerald «The (...) Great Gatsby» is of interest in the study of the influence of color palette. The main research methods are analytical and comparative historical. The color concepts of F. S. Fitzgerald's book “The Great Gatsby” and film adaptations are comprehended. This work by F. S. Fitzgerald is of interest to the modern Russian reader and viewer due to the fact that the problems raised in the novel are still relevant today. The writer touches on the popular theme of the American dream in literature and cinema. The story of the main characters is a vivid example of the illusory nature of this dream, and the lifestyle of the characters and their worldview demonstrate spiritual emptiness and cold indifference to everything except money and wealth. The scientific novelty of the article lies in the study of the ambivalence of perception of the coloristic solution of the images of characters in the book in comparison with its screen interpretations. The author comes to the conclusion that F. S. Fitzgerald in the novel «The Great Gatsby» uses a color palette in creating images of characters and describing the scene in such a way that the ambiguity in the perception of color most unexpectedly and sharply emphasizes the problems raised and becomes the basis for rethinking the ideological content of the work. (shrink)

The purpose of the study is to study the main criteria that ensure the development of the regional agricultural industry. Since the development of the subjects of Russia is based on the need to search for new management tools that ensure the long-term development of all sectors of the national economy, state support and state regulation play a special role in the management of the industry. The research focuses on two groups of industry development. The first group includes labor, natural, (...) material, technical and financial resources. The second group includes investment, information, innovation, research and production, and socio-infrastructural resources. However, the second group of resource base factors has a direct impact on the final position of the agricultural sector. As a result, a mechanism for managing the resources of the agricultural sector of the region, based on the growth factors of the agricultural sector, has been identified. (shrink)

Is it possible to explicate tolerant principles in the philosophy-political discourse of Kant? It seems the answer to this question is positive. And it is the philosophical project of Kant “Perpetual Peace”, which is the most representative in this respect, for it is based on the principles of tolerance. This project is included in ethic-legal (liberal) system and is connected with such notions as civil society, legal state, duty, moral law. Tolerance exists, on the one hand, as a result of (...) moral effort and choice, and on the other, as legal obligation. In Kantian conception tolerance appears as a multi-aspect phenomenon: firstly, as a natural deposit of the human race, developing as a result of the influence of antagonistic nature of the human society; secondly, as a demand of the moral law; thirdly, as a means of peace attaining; fourthly, as a principle of peaceful state, a universal civic alliance and eternal peace. The dynamic development of the world society, the acceleration of processes of globalization and intercultural communication dictate new strategies of the world development, make the problem of political responsibility the topic of today. According to Kant’s logic, it is necessary to be tolerant in the modern world. (shrink)

Classic of Russian philosophy Alexandr I. Vvedensky proposed a definition of metaphysics as a study of true reality contrary to apparent one. This definition seems to be useful in contemporary issues. It's an apt definition because it describes an ancient metaphysics as good as classical tradition and concerns all branches of the philosophical knowledge. A number of philosophical subjects are connected with the difference of true and apparent reality as their foundation. For instance, Philosophical Anthropology differentiates between real and formal (...) personal existence. Epistemology discusses a problem of a criterion of real existence and notes that any language does not contain such internal criterion. The Philosophy of science analyses a conventional reality created by people, and so does the Philosophy of art. Social and Political Philosophy due to understand a nature of special phenomena which have no substance but are real and objective. Finally, contemporary Philosophy of technology concentrates on the virtual reality as a special kind of existence. So, the problem of the distinction between true and apparent reality manifests itself in all philosophical disciplines, and this fact determines a major meaning of the metaphysics in the philosophy. (shrink)

Luigi Caranti, Kant’s Political Legacy: Human Rights, Peace, Progress, Cardiff, University of Wales Press, 2017 Natalia Lerussi.

In this paper we aim to think systematically about, formulate, and begin addressing some of the challenges to applying theories of moral responsibility to behaviors shaped by a particular subset of unsettling psychological complexities: namely, implicit biases.

For Theory aims to open a discussion on the weakening of the production of theory in left-wing thought since the 1970s, based on Louis Althusser's ideas of overdetermination, plural temporality, conjuncture, and theoretical practice.

The present article discusses the main issues and threads of the ontological and aesthetic considerations of Roman Ingarden. The point of departure of this Polish thinker’s philosophy is the controversy over the existence of the world. It is around this problem that he focuses the systemicity of his thoughts in combination with complex structuring and precise analysis of detailed philosophical issues. Yet it is ontology that is Ingarden’s first study, free of any assumptions or premises derived from other disciplines. The (...) first part of the present article, devoted to ontological issues, constitutes an introduction to the individual chapters of this book on the topic of ontology. The second part of the article deals with aesthetic issues, which Ingarden also understood systemically, meaning that his aesthetics remained closely related to his ontology and epistemology. Aesthetic research was particularly important for this Polish philosopher, as it was aimed at the creation of an original systemic proposal concerning phenomenological aesthetics. A discussion of the most important aesthetic issues raised by Ingarden serves as an introduction to the second part of this book, which concerns new interpretations of Ingarden’s aesthetics and philosophy of art. (shrink)

The fast-developing field of neuroscience has given philosophy, as well as other disciplines and the public broadly, many new tools and perspectives for investigating one of our most pressing challenges: addressing the health and well-being of our mental lives. In some cases, neuroscientific innovation has led to clearer understanding of the mechanisms of mental illness and precise new modes of treatment. In other cases, features of neuroscience itself, such as the enticing nature of the data it produces compared to previous (...) behavioral methods, together with its costliness and “coldness” have complicated understanding of mental illness and decision making about mental illness. Taking neuroscientific information into account can leave practitioners in psychiatry and law with difficult questions, stemming not only from the complexity of these fields, but also from our rapidly evolving understanding of and facility with neuroscience. In this chapter, we will review several examples of the insights and dilemmas that have unfolded as mental illness has been examined through the lens of neuroscience, covering diagnoses such as obsessive-compulsive disorder (OCD), schizophrenia, addiction, and severe mood disorders. (shrink)

У статті проаналізовано стан санаторно-курортної діяльності України. Відзначається, що в останні роки в санаторно-курортній сфері переважає скорочення кількості установ, які спеціалізуються на оздоровленні населення, зниження якості та номенклатури надаваних послуг, кількість оздоровлених людей. Підкреслюється, що у 2014 році Україна втратила значну частину курортного потенціалу в результаті анексії Криму і військових дій на сході країни. Як подальший напрямок розвитку запропоновано реформувати галузь з метою вдосконалення лікувальної та діагностичної баз на основі останніх розробок в області медицини й курортології, розвитку інфраструктури, підвищення якості (...) та номенклатури надаваних послуг, підвищення ефективності та результативності роботи здравниць. (shrink)

If modernity involves a view through which it is possible to read the uninterrupted historical continuity of social utopia and the harmony of class and the progress of the 19th century, it is fundamental to explore what is the other face of this fantasy of progress that places the individual in modernity in a situation of depression and debt, inasmuch as those promises are never fully fulfilled. Walter Benjamin builds his idea of history rethinking this legacy. He imagines the way (...) in which the materialist historian must act, that is, the one who will articulate justice and redemption of the past as it is proposed on the thesis of On the concept of history, a text of 1940 on which he worked until the end of his life. In this text, we can find what Michael Löwy called a critical constellation, which links the past with the present. Regarding these considerations, we pursue two main objectives: on the one hand, to delineate what a theory of modernity could mean in the frame of Benjamin's work; on the other, to examine the relationship between the experience of modernity, linked to melancholy and loss, and the aesthetic experience, understood as a privileged device to make thinkable the human doing. (shrink)

The present article aims to explore the complex relation between global and European Pentecostalism and politics. The self-evident scarcity of studies on this particular topic, despite the global prominence and the dynamic growth of Pentecostalism, and the tendency to collapse strikingly opposing tendencies under a generic terminology call for a serious examination of the approaches Pentecostalism adopts in relation to political involvement. Throughout the three main sections of this paper, political, historical, cultural and theological concepts will be employed in order (...) to: firstly, provide a qualitative and quantitative overview of global Pentecostalism; secondly, explore worldwide different political preferences of Pentecostal churches and denominations that range from apolitism, to full-fledged political involvement, or to the preference for an alternative polis; thirdly, to analyse European Pentecostalism and the particularities of its relation with politics. (shrink)

Interview of Amina Kkhelufi, Kseniia Myroshnyk, Nataliia Reva with Natalia Viatkina.

Resumen : A partir de algunas consideraciones propuestas por Georges Didi-Huberman, el artículo se dedica a explorar las vinculaciones que conducen del pathos a la acción política. A través de las concepciones de la imagen como pasaje de la pasión a la acción y de la imagen en su relación con el gesto y la revuelta, se formula un abordaje de No intenso agora. Teniendo en cuenta las indagaciones de El acorazado Potemkin emprendidas por Didi-Huberman, nos proponemos estudiar allí un (...) motivo icono-cinematográfico: la imagen de jóvenes arrojando piedras contra las fuerzas represivas. Si Moreira Salles construye desde allí su interpretación del fenómeno histórico de las insurrecciones del 68 en Brasil, París y China, ponemos esa imagen en relación con sus apariciones en el cine militante latinoamericano de los años sesenta para analizar sus derivas. Finalmente, se plantea una aproximación a la actualidad a partir de la concepción benjaminiana de la melancolía. Palabras clave : Pathos; Didi-Huberman; Revuelta; Cine latinoamericano; Cine político.: Based on some considerations proposed by Georges Didi-Huberman, the article explores the lines that lead from pathos to political action. Through conceptions of the image as a passage from passion to action and the image related to gesture and revolt, these pages pose an approach of No intenso agora. Taking into account the inquiries of Battleship Potemkin undertaken by Didi-Huberman, we propose to study there an icon-cinematographic motive: the image of young people throwing stones at repressive forces. If Moreira Salles builds from there his interpretation of the historical phenomenon of the insurrections of '68 in Brazil, Paris and China, we propose to put that image in relation to his appearances in the Latin American militant cinema of the sixties to analyze its drifts. Finally, the article proposes an approach to the present based on the Benjaminian conception of melancholy. Key Words : Pathos; Didi-Huberman; Riot; Latin American cinema; Political cinema. (shrink)

Natalia Carrillo and Tarja Knuuttila claim that there are two traditions of thinking about idealization offering almost opposite views on their functioning and epistemic status. While one tradition views idealizations as epistemic deficiencies, the other one highlights the epistemic benefits of idealization. Both of them treat idealizations as deliberate misrepresentations, however. They then argue for an artifactual account of idealization, comparing it to the traditional accounts of idealization, and exemplifying it through the Hodgkin and Huxley model of the nerve (...) impulse. From the artifactual perspective, the epistemic benefits and deficiencies introduced by idealization frequently come in a package due to the way idealization draws together different resources in model construction. Accordingly, idealization tends to be holistic in that it is not often easily attributable to some specific parts of the model. They conclude that the artifactual approach offers a unifying view into idealization in that it is able to recover several basic philosophical insights motivating both the deficiency and epistemic benefit accounts, while being simultaneously detached from the idea of distortion by misrepresentation. (shrink)

It is now taken for granted in many circles that substantial psychological variability exists across human populations; we do not merely differ in the ways we behave, but in the ways we think, as well. Versions of this view have been around since early interest in ‘cultural relativism’ in cultural psychology and anthropology, but Joe Henrich, Steven Heine, and Ara Norenzayan’s 2010 paper, ‘The Weirdest People in the World?’ has had an exciting and catalyzing impact on the field, getting researchers (...) involved in discussions of human nature to take cross-cultural cognitive diversity seriously. Reviewing a broad selection of comparative studies from across the behavioral sciences, in social psychology, cognitive... (shrink)

"Vivimos en un mundo en el cual la ciencia tiene un lugar protagónico tanto en nuestra vida cotidiana como en aspectos alejados de ella para nuestra percepción pero que, aun así, impactan en la realidad que vivimos. La propuesta de estas páginas es recorrer algunos interrogantes sobre aquello que llamamos ciencia, partiendo desde esa misma problematización, y sobre las vías posibles para entenderla.Si bien los objetos que aborda este libro no están exentos de complejidad se procura mantener un lenguaje llano (...) y ameno que permita el mayor alcance posible de su propuesta." --Descripción del editor. (shrink)

Розглянуто підходи до визначення поняття "розвиток". Проаналізовано взаємозв'язки між економічними теоріями, що мають лежати в основі концепції розвитку. З'ясовано, що для забезпечення високоякісного розвитку виробництва необхідні радикальні зміни не тільки в технологічній політиці підприємства, а й у самій ідеології стратегічних перетворень. Серед основних проблем на шляху досягнення якісного розвитку виробництва прийнято виділяти недостатність фінансового, матеріально-технічного та кадрового забезпечення.

У статті визначено економічний зміст механізму стимулювання соціальної відповідальності підприємства, розроблена концепція його вдосконалення. Сформульовано мету й завдання запропонованого механізму, обґрунтовано принципи його формування. Розроблено інструменти механізму стимулювання соціальної відповідальності підприємства і критерії оцінки його ефективності. Визначено напрями реалізації механізму стимулювання соціальної відповідальності підприємств.